Har Har Mahadev!

Late last month Amish Tripathi released his last book in the Shiva Trilogy- The Oath of the Vayuputras - and a whole bunch of book lovers in my office went into a frenzy. I didn't quite understand it & quite frankly I was agitated that I didn't know about this famous book when everybody else did! I then looked it up online & decided that I want to read it too. I'm immensely fond of mythology so I took to the book immediately, yet grudgingly so since I knew it was only fiction. But some parts of the book either brought tears to my eyes, or answered an impending question in my head, or left me a tad bit wiser. Sorry Paulo Coelho, your books didn't impact me as much!

Here's an excerpt of the trilogy that I liked most and brought tears to my eyes:

A resounding roar arose from the Suryavanshis. They were led by the Mahadev. The God of Gods. The Chandravanshis did not stand a chance.

"But I am not the only one!" 

 A shocked silence descended on the Surayavanshis. What did the Mahadev mean? He is not the only one? Do the Chandravanshis have a god too?

 "I am not the only one! For I see a hundred thousand Mahadevs in front of me! I see a hundred thousand men willing to battle evil! I see a hundred thousand men capable of destroying evil!"

 The stunned Suryavanshis gaped at their Neelkanth as the import of his words permeated their minds. They dared not ask the question: Are we gods?

   Shiva had the answer: "Har Ek Hai Mahadev!" 

The Meluhans stood astounded. Every single one a Mahadev?  

"Har Har Mahadev?" bellowed Shiva. 

The Meluhans roared. All of us are Mahadevs! 

Pure primal energy coursed through the veins of each Suryanvanshi. They were gods! It didn't matter that the Chndravanshis outnumbered them ten to one. They were gods! Even if the evil Chandravanshis outnumbered them a thousand to one, victory was assured. They were gods! 

"Har Har Mahadev!" cried the Suryavanshi army.

This excerpt had such a profound effect on me and I felt empowered! It was as if I was in that army and I was being spoken to. I still have no idea why this touched me so. Maybe it's a a piece of knowledge that will be used later.

Another beautiful line in The Secret of the Nagas that touched me was:

There is a god in every single one of us. And there is evil in every single one of us. The true battle between good and evil is fought within.

And somewhere later in the book it is said because there's both good an evil in us it takes strength to choose the good. The weak would choose evil. To me this meant that when I have to make a choice, I have to be brutal on my self and choose what's good for most that are involved otherwise I'm weak and that's something I can't live with.

For those who are looking for self-realization and like reading, do read these books. Well written, addictive and helpful. May have the answers to your questions.

Sunayana Sen

The Sitar Diaries

The sound of the Sitar is like a delicate yet strong woman while the sound of the Tabla is like a man. While played together the sound of Tabla always dominates but if you listen to the music you will notice the strength & stability of the Sitar's sound. Just like the woman who will stay at the base and provide the strong foundation to take support & grow on.

At any point of the music there will be that delicate sound of the Sitar. The piece always starts off with the sound of the Sitar & ends with it too. It remains that constant delicate sound in the background. 

If Sitar was a woman, the way you handle the Sitar accurately depicts her mood. You can raise the tempo & it may sound like ecstasy; Raise the tempo keeping the base low, and it will sound like fury; Play it slowly, just lightly touching it, it will bring you peace & calm; Play it flat & it will sound like sadness; Gradually raise the tempo with spaced out touches & it sounds like fear. 

Always listen to the sound of the Sitar in the background. It usually depicts the honesty of the mind. If you catch the pulse of the Sitar, you will lose yourself in someone else's life; you will feel ecstasy, fear, sadness, peace, fury- all of this in the few notes from start to finish.

All in a block of wood.

Sunayana Sen

The Virgin Prize

My friend Vyshnavi Sainath is a fantastic dancer with dance in her genes, thanks to her internationally renowned mother, Rajeshwari Sainath. Today I went for a dance ballet held at Ravindra Bharati by a womens' support organization that was choreographed by & featured the mother-daughter duo. Titled "Ahalya", the ballet told the story of the Bramha-made, Goutama-cursed & Ram-rescued pathivratha- Ahalya. 

Ahalya (also known as Ahilya) was the epitome of a woman created by Bramha who wanted to make a perfect woman symbolizing purity, intelligence & beauty. Impeccable beauty. He made her such that every bit of her would drip with beauty. Bramha put Ahalya in the care of sage Goutama until she reached marriageable age & the sage become a mother, a father & teacher to her. He handed her back to Bramha, as pure as she was when she was given under his care. Then Bramha put forth the proposal that whomsoever can circle the earth thrice will win Ahalya as his bride. Indra, the egotistical King of Gods believed that beauty such as Ahalya was only made for him & he had the natural right to her. However, because she was the epitome of chaste womanhood, he agreed to Bramha's proposal & circled the earth thrice. In the meanwhile, Goutama in his morning holy rituals, had thrice circled a cow while it was giving birth to a calf. And that is the highest act of morality, making Goutama the winner of Ahalya.

Ahalya had to now accept him as a husband while Goutama always saw her with a veil of suspicion even though it was Indra eyeing her & not the other way round. "It's not easy to enact marriage, constantly dancing on a razor edge". One day when Goutama was off doing his daily chores, Indra, not able to control his lust anymore, seduced her disguised as Goutama. When Goutama discovered this act of 'impurity', he castrated Indra & turned Ahalya into stone. Indra pleaded with his brother to reverse the curse & his brother gave him the testicles from an ox & thousand eyes (he became famous as the thousand eyed Indra). "The wrong was rewarded." But Ahalya remained a stone, cut off from humanity for years until Ram brushed his feet against a stone & then the curse was broken. 

   So the moral of the ballet was 

1. Men were lustful beings
2. Purity is virginity
3. Even if people are in the wrong, they're still rewarded (Remember how Indra got an ox's testicles)
4. Even if women are loyal, responsible, pure in dharm & karm, everything is overridden the day another man enforces himself on her
5. Wife will always happily take her husband's decisions because she has committed to love him

 I wanted to quote some of the dialogues from the ballet but unfortunately my memory won't allow it. The dialogues were beautiful & it gracefully articulated Ahalya's story. I will try to get my hands on them for you. And this post lays the perfect foundation for the next series of my posts.

*The story written here has its sources in the dance ballet 'Ahalya' & various internet sources

Sunayana Sen